Kompositionsweisen in Mauricio Kagels filmischer Arbeit zu Ludwig van dargestellt an der Handschuhsequenz und dem Musikzimmer

Titelangaben

Holtsträter, Knut:
Kompositionsweisen in Mauricio Kagels filmischer Arbeit zu Ludwig van dargestellt an der Handschuhsequenz und dem Musikzimmer.
In: Arndt, Jürgen ; Keil, Werner (Hrsg.): "Alte" Musik und "neue" Medien. - Hildesheim : Olms , 2003 . - S. 56-103 . - (Diskonkordanzen ; 14 )
ISBN 3-487-12516-1

Volltext

Link zum Volltext (externe URL):

Abstract

A historiographical assessment of the influence of representational art on Kagel's work (especially fluxus) is followed by an aesthetic study of the so-called Musikzimmer using concepts of the contemporary collage artists Wolf Vostell and Jiří Kolář. Taking the “ glove” sequence as example, various aspects of Kagel's cinematic visualization of Beethoven's music are discussed, among them his categorizations of the synchronicity of music and image. An attempt is made to explain Kagel's concept of film composition from the perspective of the origins of the work and of poetology including the technically-based specific steps of its genesis, and then to identify this as Kagel's fundamental compositional process. In addition, the different medial avenues that Kagel uses to approach Beethoven are demonstrated. In this regard it should be noted that the compositional material changes due to the intermedial transformation of its meaning and its referential nature within the genesis of the work