bei Google ScholarTitelangaben
Ignatidou, Artemis:
Where Music Resides: Educational and Artistic Institutions, Nationalism, and Musical Debates in Nineteenth-Century Athens.
In: European History Quarterly.
Bd. 51
(2021)
Heft 2
.
- S. 143-169.
ISSN 1461-7110
DOI: https://doi.org/10.1177/02656914211006581
Abstract
The article details the institutional, political and cultural conditions in nineteenth-century Athens, in relation to the reception and development of Western opera and Greek ecclesiastical music. Through the examination of important institutions such as the Theatre of Athens and the University of Athens, the article compares the popularity of Italian opera with the underdevelopment of institutions for education in church music, it analyses the impact of limited musical education in the country, and explains how the absence of musical policy –either forWestern music or the Greek-Orthodox chant – resulted in music turning into a token of local cultural resistance against Western European influence.
Weitere Angaben
| Publikationsform: | Artikel in einer Zeitschrift |
|---|---|
| Begutachteter Beitrag: | Ja |
| Keywords: | Europe; Greece; music; nationalism in music; opera |
| Institutionen der Universität: | Fakultäten Fakultäten > Kulturwissenschaftliche Fakultät Fakultäten > Kulturwissenschaftliche Fakultät > Lehrstuhl Europäische Geschichtskulturen Fakultäten > Kulturwissenschaftliche Fakultät > Lehrstuhl Europäische Geschichtskulturen > Lehrstuhl Europäische Geschichtskulturen - Univ.-Prof. Dr. Astrid Swenson |
| Titel an der UBT entstanden: | Nein |
| Themengebiete aus DDC: | 900 Geschichte und Geografie > 940 Geschichte Europas |
| Eingestellt am: | 21 Nov 2023 07:17 |
| Letzte Änderung: | 09 Feb 2024 06:45 |
| URI: | https://eref.uni-bayreuth.de/id/eprint/87818 |