Titelangaben
Vierke, Clarissa:
An Intimate “Range of Elsewhere” : Sensuous Imaginaries of the Indian Ocean in Precolonial Swahili Poetry.
In: Comparative Literature.
Bd. 74
(2022)
Heft 2
.
- S. 156-170.
ISSN 1945-8517
DOI: https://doi.org/10.1215/00104124-9594800
Angaben zu Projekten
| Projekttitel: |
Offizieller Projekttitel Projekt-ID EXC 2052: Africa Multiple: Reconfiguring African Studies 390713894 |
|---|---|
| Projektfinanzierung: |
Deutsche Forschungsgemeinschaft |
Abstract
The Swahili poetry of the master poet Fumo Liyongo, which dates between the fifteenth and eighteenth centuries, draws much of its imagery from the Indian Ocean, and in a particularly sensuous way: the poems paint baroque tableaux of Swahili material culture, evoking multiple elsewheres. They conjure the Indian Ocean through tastes, scents, and views of its rich interiors, which delineate a distinctively coastal world implicated to different degrees in the vaster oceanic region. Borrowing from aesthetic theories, the article explores the poem’s sensuality as a productive way of “thinking” about Indian Ocean relations, namely as a continual reemergence of cycles of sensation, questioning the clear-cut dichotomy of the “exterior” world and “intimate” notions of irreducible personhood as well as notions of local and cosmopolitan. Zeroing in on the betel quid, which has turned into a “mythological” cultural node of Swahili identity as well as a prominent rhetorical topos of Swahili love poetry, this article explores its imaginative productivity.

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