at Google ScholarTitle data
Ignatidou, Artemis:
Where Music Resides: Educational and Artistic Institutions, Nationalism, and Musical Debates in Nineteenth-Century Athens.
In: European History Quarterly.
Vol. 51
(2021)
Issue 2
.
- pp. 143-169.
ISSN 1461-7110
DOI: https://doi.org/10.1177/02656914211006581
Abstract in another language
The article details the institutional, political and cultural conditions in nineteenth-century Athens, in relation to the reception and development of Western opera and Greek ecclesiastical music. Through the examination of important institutions such as the Theatre of Athens and the University of Athens, the article compares the popularity of Italian opera with the underdevelopment of institutions for education in church music, it analyses the impact of limited musical education in the country, and explains how the absence of musical policy –either forWestern music or the Greek-Orthodox chant – resulted in music turning into a token of local cultural resistance against Western European influence.
Further data
| Item Type: | Article in a journal |
|---|---|
| Refereed: | Yes |
| Keywords: | Europe; Greece; music; nationalism in music; opera |
| Institutions of the University: | Faculties Faculties > Faculty of Cultural Studies Faculties > Faculty of Cultural Studies > Lehrstuhl Europäische Geschichtskulturen Faculties > Faculty of Cultural Studies > Lehrstuhl Europäische Geschichtskulturen > Lehrstuhl Europäische Geschichtskulturen - Univ.-Prof. Dr. Astrid Swenson |
| Result of work at the UBT: | No |
| DDC Subjects: | 900 History and geography > 940 History of Europe |
| Date Deposited: | 21 Nov 2023 07:17 |
| Last Modified: | 09 Feb 2024 06:45 |
| URI: | https://eref.uni-bayreuth.de/id/eprint/87818 |